In this course we’ll be looking at some of the most important fictional works by Irish women writers that span the period from the beginning of the Irish Free State (the twenties) to the turn of the 21st century. Irish women writers were marginalized for much of the 20th century which was clearly reflected in the controversial Field Day Anthology of Irish Writing (1991). This course will mostly focus on the ways in which 20th century Irish women writers articulate the repressive Catholic dogma which heavily impacted on the shaping of woman's identity throughout the last century. How the selected authors tackle female sexuality, the ideal of Irish womanhood and the female body embodied in the Virgin Mary, how they see the role of woman within the confines of the Irish Catholicism, and to what extent their novels mirror the period in which they were written are the main issues which lie in the focus of the course. We’ll be reading, analyzing and discussing the selected texts (Kate O’Brien, Edna  O’Brien, Emma Donoghue, Emer Martin and others) in the context of feminist theory, post-colonial and Irish studies etc.   

Introduction to the formative period of the Gothic genre within the English and American literary tradition, the analysis of the connection and interaction between society and creative literary tendencies, the ability to analyze the influence of various cultural phenomena of a particular period on the later creative tendencies in art, literature and film.

This course focuses on British novels written in the period between the end of the Second World War and the turn of the 21st century. We will be reading and discussing the selection of texts mostly in the light of postmodernism, feminism, postcolonial theories and cultural studies. The course also examines whether the term ‘British novel’ can function today as many prominent authors are usually associated with (micro)national identity (English  / Scottish / Welsh). The issue of ‘British’ identity which turned into a much more complex, heterogeneous and hybridized concept towards the end of the last century (e.g. black British, Asian British, black Scottish, etc.) is also going to be addressed. We will be analysing the chosen novels by G. Greene, J. Fowles, A. Burgess, S. Rushdie, A.S. Byatt, I. McEwan, K. Ishiguro, J. Kay, A. Gray, J. Galloway, H, Kureishi, J.M. Coetzee, and others.